six
she/her
twenty-five
march 21
mauville
gay
debt collector
grunt
chaotic stupid, i'll get used to feeling useless
TAG WITH @parker
parker jones
sketches
POSTED ON Jun 22, 2024 21:59:03 GMT
Naomi Sato misses him. she misses her life. and yeah, there's not a whole lot she can do about it. that either of them can do about it. because she's got a godsdamn warrant out for her arrest for one, but also because there are so many other things on her plate - like saving the world. but see, parker? bodyguard duties are superfluous when your girlfriend is gods' favorite little chosen. it doesn't bother her so much anymore, but there are instances where it can get a bit lonely. saving the world isn't exactly a part-time job. so rather than twiddle her thumbs on her day off and brood about the oncoming end of the world, she thinks, i want to help. she wants to do this for her. she wants to do something for her. getting her arm's skin sloughed off sucked major fucking ass. losing her godsdamned mind when nomi was taken also sucked and she's really, honestly, stupidly tired of everything just sucking. so maybe, just maybe, she can make it better. she can take a page out of nomi's book and try for peace. and that means she's here, at the museum, looking like a lost puppy, unsure how to ask for a man whose name makes her head go kind of squirrelly without really knowing why. her hood's up, hiding her shock of pink hair, but there's not much can be done about the tattoo on her cheek and the scar on her lip, or her general unforgettable hotness, but whatever. maybe he didn't get a good look at her when she was beating his face in; who's to say? she asks around to see if he's there. he is. when asked if she needs something, she pretends not to hear, waves and mutters something about an appointment, and tries not to look like a thug when she goes to the door, turns the handle, and barges her way in. quick to say, "ayo, remember me, gids, giddy, guhhh," she says, eyes drifting, sticking not right to his face but to the pieces of paper she recognizes but also doesn't recognize. a collage of images bursts behind her eyes, echoes of lines and colors overlaying the ones right in front of her, script eloquent and familiar and so stupid painful. she blinks rapidly, sits in a chair against the wall, and wildly slaps her hand on the door to lock it. "can we talk?"
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